On The Bach Hour, David Fray is the pianist in the composer's Partita No. 4, a piece that reflects the multiple roles Bach fulfilled on a daily basis.

On The Bach Hour, a legendary instrument at Schlosskirche Altenburg - played when it was new by the composer himself - transmits an astonishing range of sonic color in the Passacaglia in C minor and Cantata 146.

On The Bach Hour, the British cellist describes the genius behind music originally written by the composer for the viola da gamba, which he recorded with harpsichordist Richard Egarr.

On The Bach Hour, the Artistic Director of one of Boston's cornerstone music ensembles offers a guided tour of the composer's most elaborate and ambitious choral work.

On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.

On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the composer's Cantata 182, and Pieter Wispelwey performs the Suite No. 5 for solo cello.

On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III.

On The Bach Hour, Eric Milnes leads Montreal Baroque in music that looks to the future with hope, and Klaus and Rainer Feldmann bring Bach's keyboard music into the realm of guitar duo.

The mandolin virtuoso talks with host Brian McCreath about the rich musical environment of his childhood, what led him to the mandolin, and the role Bach's music plays in his artistic life.

On The Bach Hour, Bach Collegium Japan performs the composer's "Trauerode," written to mourn the passing of a royal princess who embodied the values and hopes of her time.